Conference Chair Harry Mott is the owner of Mott 4 Productions, where he designs for the web, broadcast, interactive and feature film fields; produces motion graphics; and consults on digital video, blue screen, imaging and interactive solutions to the film, broadcasting, advertising, multimedia, and Internet communities. His clients include Touchstone Pictures, Warner Brothers, Documedia, Avnet Productions, Badham Productions, Barking Weasel, BBD&O, US West, Sony, and Paramount. He has also developed interactive prototypes for Michael Jackson, Panolog, United Leisure, and The Eames Foundation. He's currently an instructor and curriculum consultant at Otis Parsons College of Art and Design and was the first education director for The American Film Institute's Professional Training Division where he played a key role in the growth of its Advanced Technology Programs. Mott is a contributing author for Verbum's Multimedia Power Tools book and CD-ROM project and a columnist for Computer Artist magazine. He holds a MFA/MBA from the Peter Stark Motion Picture Producers Program at USC.

Jim Feeley is DV magazine's features editor. When he's not editing text, he produces and edits cycling and documentary videos. When he's not doing that, he tries to find funding for his projects.
Scott Gentry has been in front of and behind the camera almost all his life, appearing in over 100 television commercials and appearing regularly on All My Children. Before graduating with a degree in broadcasting, he was hired by the ABC television network as a production associate for several different shows. He also worked as a cameraman for The New York Jets and Giants games, and at various concert and arena events before being promoted to director. He is currently associate publisher for DV magazine.
Brian McKernan has been the editor of Videography magazine for the past ten years. He is also the editorial director of Miller Freeman PSN's Video Group, which includes Television Broadcast, Government Video, and TVB Europe. A former broadcaster, McKernan joined Omni magazine in 1980 and left as assistant editor six years later to join Broadcast Management/Engineering as television editor. He has written for several publications and recently edited and packaged The Age of Videography, a commemorative history of the professional video and teleproduction industries.
Dominic Milano is the editorial director of DV magazine. Before deciding that spending 20 years in print publishing was an okay thing to do with his life, Milano studied electronic music at Chicago's Roosevelt University. He dropped out in 1975 to help launch Keyboard magazine. When he's not watching the NBA playoffs or playing guitar, Milano burns the midnight word processor as editorial director of Miller Freeman's Entertainment Technology Group, publishers of DV, InterActivity, Alpha VisualFX, Keyboard, Guitar Player, Bass Player, How To Play Guitar, and Music & Computers magazines.
Rick Popko is DV magazine's news editor. He joined the publication in 1996 after a two-year stint as assistant editor at Multimedia World magazine. In addition to writing and editing for DV, he is also president of Future Films, a San Francisco-based production company. Future Films' first feature, To Hell with Dracula, is currently in production in the beautiful Napa Valley.
Technical ConferenceIExhibiting CompaniesIRegistration
Special EventsITravel/LodgingIContact UsIExhibitors
Info